The animated map even flips on its horizontal axis, apparently to show off. In 'Sanctum,' there’s a computer animation showing the known parts of the cave, but as the POV whizzes through caverns and tunnels, it achieves only a demonstration of computer animation itself.

That was a great help in comprehending the events of the ship’s final hour. If you recall Cameron’s ' Titanic,' its helpful early animation briefed us on the entire story of how the great ship sank. At no point are we oriented on our location in the cave as a whole, or have a clear idea of what the current cave space looks like. 'Sanctum' should be studied in film classes as an example of inadequate film continuity. I only wanted to figure out what was happening, and where, and why. Still, tactical errors are not what concerned me. They are combining dangerous climbing with risky diving, and it’s a good question why an inexperienced girlfriend was allowed to come along. There’s no need to discover this, you understand, but after some loss of life, Frank ( Richard Roxburgh), the leader of the expedition, tells son Josh ( Rhys Wakefield) that only in a cave does he feel fully alive the humdrum surface world is not for him, and 'human eyes have never seen this before.'Īfter awkward opening scenes of almost startling inanity, we find ourselves deep inside the cave system, and our heroes deep in trouble.

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